Environments are useful for improving your vision of how you want to represent the subject. Funds can soften the presentation or make it more energetic and dramatic.
But whatever you do, make sure that the background theme works with and not against it. Also, do not forget that the issue is the reason I started drawing in the first place. So do not get caught up in the background, to the point where it starts eclipsing the subject and distract the viewer from the object.
Here are some tips on how to proceed with the funds so that they become an asset to the finished product:
* Values
Take a hint from your theme settings when choosing the basis of the value of plan for treatment. If the subject is very light on one side, it is always a good idea to make the background in this dark area. This will introduce the necessary contrast.
It also solves the problem of white on white. For example, if the subject has white hair, is always difficult to make enough against a white background showing white paper. The introduction of a darker background around the hair is the perfect solution. This, of course, also works in reverse. If the subject is dark, you may want to compare this with a clear background.
* Lost and Found
The basic treatment can also be used to produce so-called "lost edges." These edges are first presented, but then lost to the environment eventually reappear somewhere in the line.
The disappearing act edge is performed by the board and the environment with the same value. For example, the edge of a sleeve may be partially lost in the bottom of the background giving the same value as part of the manga. Lost and found effects are always interesting and involve the viewer in the completion of the design process.
* Place
Usually, it's a good idea to keep the shading below the eye level of the subject being developed. Shade above the eye level tends to overload the subject and do not add the cool portrait.
* Extensive experience
Sometimes the client may insist on a detailed pictorial background.
First, make sure to increase the quota, as they will often spend more time in your drawing background on the subject itself.
Second, always keep in mind that the issue should remain the focal point of the finished product. Therefore, the development of the system of judging which enhances the subject and what remains. The background is always secondary to the object.
Ideally, a pictorial background should discuss your topic and give the viewer more information about your topic. A background is also very useful to create or improve a state of mind. If the subject is in a certain state of mind, you may want to improve mood by adding the relevant fund.
These tips should give you a good start in the representation of history with confidence.
Remi Engels is a pencil portrait artist and oil painter and expert teacher. Discover pencil portrait Course and his Portrait Print Package Special
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